What will the music of the future sound like? There’s no way to know, but the bleeding-edge producers in this chapter shine a light into the cavern of possibilities. Will we hear more hyperactive genre mashes, like Fire-Toolz’ goulash of smooth jazz bass, death metal growls and lo-fi beats? Or more of the time-bending Moiré effects of Caterina Barbieri and Untold? Maybe as the pace of modern life continues to accelerate, the pointillistic vistas of Fennesz will become more appealing. We can all use a tranquil space to sit with our thoughts now and then.