The first reggae chapter, tracing the genre’s origins from sweet melodic rocksteady to smoky, paralyzing euphoria. Nothing makes me want to collapse into a hammock like good reggae, but these musicians also understand exhaustion can be political and even existential. These cuts show off reggae’s more soulful side - Bob Marley of course, but also the gently affirmative “Still In Love,” the almost journalistic “Song Of Blood,” and “Black Woman,” with a wordless chorus that evokes generational pain better than any lyric could.