‘Angular guitars’ are one of the great cliches of indie rock album reviews. It’s unclear how an intangible sound could possibly be ‘angular,’ but when you hear the needlepoint main riff of “Damaged Goods,” you get it instinctively. Hard angles are all over this post-punk chapter, slicing “Typical Girls” into jarring sections, or providing the bouncing ball beat of the acidic “Spoilt Victorian Child.” On the extra spiky “Bela Lugosi’s Dead,” Bauhaus toys with reggae’s dub techniques, then sucks the lifeblood from them.