High on the list of Josh Richmond’s Favorite Musical Tricks, alongside accelerando and pitch-shifting, is a wordless chorus, especially an extended closing wordless chorus. “Bro Hymn” has a fantastic one, burly and puckish, a sure-fire pit starter. All these songs from punk’s most populist era have a similar command of hooks and dynamics. Green Day and Bad Religion became brilliant pop songwriters, not by diluting the classic sound of The Damned and The Ramones, but by highlighting what made those pioneers stealth pop bands in the first place.