Perhaps recognizing the inherent absurdity of musical theater to modern audiences, today’s hit musicals sell the conceit by embracing comedy. Songs like “The Internet Is For Porn” and “I Believe” are well-structured standalone jokes that also riff on ancient stage tropes. But even as they embrace self-awareness, musical composers have the execution of the old-fashioned showstopper ballad down to a science. Whether powered by Leslie Odom’s tense raps or Idina Menzel’s clarion belts, when these songs aim to hit you in the feels, they don’t miss.